Kemal Yildirim’s new feature film, WASTELANDS, displays his technical filmmaking prowess but has a little too much going on in terms of its story.
Category: Indie Films
Indie Film Review: South Mountain
Hilary Brougher’s newest feature film, South Mountain, may focus on a crumbling marriage but it also promotes the everlasting tenderness of family.
Indie Film Review: Softness of Bodies
Jordan Blady’s debut feature, Softness of Bodies, is a tale of a troubled young woman’s directionless life and her transition (or lack thereof) into adulthood.
Indie Film Review: Why Don’t You Just Die!
Kirill Sokolov’s debut feature Why Don’t You Just Die! is a violent and bloody affair in the vein of Quentin Tarantino with plenty of black comedy strewn about in the chaos.
Indie Film Review: She’s Allergic to Cats
Michael Reich’s surreal comedy/horror/romance/whatever you want to call it is a spectacle you need to judge for yourself.
Indie Film Review: Feedback
Pedro C. Alonso’s debut feature, Feedback, is a suspenseful and dramatic hostage story with great performances from its leads.
Indie Film Review – Blood Hunters: Rise of the Hybrids
Vincent Soberano’s new martial arts flick, Blood Hunters: Rise of the Hybrids, is bold in scope but bites off a little more than it can chew.
Indie Film Review: What Love Looks Like
Alex Magaña’s newest film, What Love Looks Like, is an anthology that maintains the writer/director’s playful tone but lacks an overall story and falls a little flat.
Indie Film Review: M.O.M. (Mothers of Monsters)
Tucia Lyman’s feature film debut, M.O.M. (Mothers of Monsters), is an effective psychological thriller with an intriguing story that somewhat peters out by the end.
Indie Film Review: Enthusiastic Sinners
Enthusiastic Sinners, the latest film from Mark Lewis, is a carnal tale with emotionally heavy doses of humanity and desire at its core.