Fighting With My Family, the new biopic on WWE’s Paige and her wrestling family, is an entertaining and well made film that falters only slightly with some inaccuracies and usual revisionist history from WWE.
The quality lead performances, stunning CGI, and masterful direction from Robert Rodriguez are the heartbeat of Alita: Battle Angel but its plodding storyline significantly drags down the overall product.
While there has been a horror renaissance in Hollywood, Nicholas McCarthy’s new film, The Prodigy, continues 2019’s streak of poor theatrical releases instead of joining its contemporaries as a unique horror experience.
While Adam McKay’s Dick Cheney biopic, Vice, has some good performances from its cast, the film treats its subject matter as a joke and is another tiresome instance of Hollywood poking fun at the Bush administration.
Glass, the followup to M. Night Shyamalan’s successful 2017 film, Split, as well as his 2000 effort, Unbreakable, is a cobbled together mess of ideas that’s overly long, poorly told, and incomprehensible at times.
Jeffrey Nachmanoff’s new film, Replicas, boasts a promising concept that’s bogged down by an all-around horrible film.
Aquaman is a dumb movie with a horrible script but serves as a step in the right direction for DC as a fun and colorful adventure flick.
Sony instills a lot of fun and avoids making any major mistakes with Spider-Man: Into the Spider-Verse, their new animated adventure with the webslinger, despite a densely bloated plot.
In a sea of countless films based on the character, Otto Bathurst’s 2018 version of Robin Hood is as average as a film can possibly be.
Creed II isn’t quite as tight in terms of story as its predecessor but still channels Rocky films of old while delivering the goods most of the time.
