While there has been a horror renaissance in Hollywood, Nicholas McCarthy’s new film, The Prodigy, continues 2019’s streak of poor theatrical releases instead of joining its contemporaries as a unique horror experience.
As Netflix’s Marvel shows dwindle, The Punisher Season 2 shows signs of life with its brutality and character relationships despite its somewhat bloated length. *Minor Spoilers Ahead*
While Adam McKay’s Dick Cheney biopic, Vice, has some good performances from its cast, the film treats its subject matter as a joke and is another tiresome instance of Hollywood poking fun at the Bush administration.
Glass, the followup to M. Night Shyamalan’s successful 2017 film, Split, as well as his 2000 effort, Unbreakable, is a cobbled together mess of ideas that’s overly long, poorly told, and incomprehensible at times.
While the idea of an interactive film is definitely interesting, is Black Mirror: Bandersnatch as groundbreaking as some believe or is it just a novelty?
Jeffrey Nachmanoff’s new film, Replicas, boasts a promising concept that’s bogged down by an all-around horrible film.
With 2018 in the books, let’s take a look back at our personal favorites from this year!
Aquaman is a dumb movie with a horrible script but serves as a step in the right direction for DC as a fun and colorful adventure flick.
Sony instills a lot of fun and avoids making any major mistakes with Spider-Man: Into the Spider-Verse, their new animated adventure with the webslinger, despite a densely bloated plot.
In a sea of countless films based on the character, Otto Bathurst’s 2018 version of Robin Hood is as average as a film can possibly be.
